Londres
Gerald Schoenfeld Theatre
Broadway - Etats-Unis
Construction: 1917
Topologie du théâtre
Nombre de salles actives: 1
Salle 1: (1093) 1917 - Actif
Accès
En métro:
En bus:
Adresse: 236 W. 45th St., New York, NY
Evolution
Bâtiment:
Nom:
Propriétaire(s)
Shubert Organization
Remarquable
1093
1917 - Actif
Musical
Original
1) Come from Away (Original)
Joué durant
Première preview: sam. 18 février 2017
Première: dim. 12 mars 2017
Dernière: lun. 31 décembre 2029
Compositeur: David Hein • Irene Sankoff •
Parolier: David Hein • Irene Sankoff •
Libettiste: David Hein • Irene Sankoff •
Metteur en scène: Christopher Ashley •
Chorégraphe: Kelly Devine •
Avec: Petrina Bromley, Geno Carr, Jenn Colella, Joel Hatch, Rodney Hicks, Kendra Kassebaum, Chad Kimball, Lee MacDougall, Caesar Samayoa, Q. Smith, Astrid Van Wieren, Sharon Wheatley
Commentaire:
Presse: “A superb new show! A moving, thoroughly entertaining tribute to the indomitable human spirit.” -"Variety"
“Touching, entertaining and thoroughly absorbing!” -"Seattle Magazine"
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Théâtre
Original
16) Humans (The) (Original)
Joué durant 5 mois 1 semaine
Première preview: 09 August 2016
Première: 09 August 2016
Dernière: 15 January 2017
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Joe Mantello •
Chorégraphe:
Avec: Cassie Beck (Aimee), Reed Birney (Erik), Jayne Houdyshell (Deirdre), Lauren Klein (Fiona 'Momo' Blake), Arian Moayed (Richard), Sarah Steele (Brigid)
Commentaire: Helen Hayes Theatre, (18/2/2016 - 24/7/2016)
Gerald Schoenfeld Theatre, (9/8/2016 - 15/1/2017)
6 nominations - dont 4 gagnantes - aux Tony Awards:
> Best Play Author: Stephen Karam (gagnant)
> Best Performance by an Actor in a Featured Role in a Play: Reed Birney (gagnant)
> Best Performance by an Actress in a Featured Role in a Play: Jayne Houdyshell (gagnant)
> Best Scenic Design of a Play (gagnant)
> Best Lighting Design of a Play : Justin Townsend (nomination)
> Best Direction of a Play : Joe Mantello (nomination) (plus)
Presse: Les critiques sont très bonnes:
"Blisteringly funny, bruisingly sad and altogether wonderful play." Charles Isherwood for New York Times
"In Stephen Karam’s beautifully wrought The Humans, even the small talk has larger echoes." Adam Feldman for Time Out New York
"Even if the Blakes can't quite keep all the harsh realities of life at bay, Karam's empathetic rendering of a family enduring setbacks leaves the audience hopeful that they will find strength in their love for one another." Jennifer Farrar for Associated Press
"Under Joe Mantello's impeccable direction, and in the hands of an exemplary six-member ensemble, the play builds on the ample promise of Karam's earlier works, confirming him as a uniquely probing investigator of the contemporary American psyche." David Rooney for Hollywood Reporter
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Musical
Original Broadway
15) American Psycho (Original Broadway)
Joué durant 1 mois 2 semaines
Nb de preview: 27 previews
Nb de représentations: 54 représentations
Première preview: 24 March 2016
Première: 20 April 2016
Dernière: 05 June 2016
Compositeur: Duncan Sheik •
Parolier: Duncan Sheik •
Libettiste: Roberto Aguirre-Sacasa •
Metteur en scène: Rupert Goold •
Chorégraphe: Lynn Page •
Avec: Benjamin Walker (Patrick Bateman), Alice Ripley (Patrick’s Mother/Mrs. Wolfe), Jennifer Damiano (Jean), Helene Yorke (Evelyn Williams), Drew Moerlein (Paul Owen), Krystina Alabado (Vandan), Dave Thomas Brown (David van Patten), Jordan Dean (Luis Carruthers), Anna Eilinsfeld (Victoria), Jason Hite (Sean Bateman), Ericka Hunter (Sabrina), Holly James (Christine), Keith Randolph Smith (Detective Kimball), Alex Michael Stoll (Craig McDermott),Morgan Weed (Courtney Lawrence), Sydney Morton, Anthony Sagaria et Neka Zang
Commentaire:
Presse:
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Théâtre
Original
14) China Doll (Original)
Joué durant 1 mois 4 semaines
Première preview: 21 October 2015
Première: 04 December 2015
Dernière: 31 January 2016
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Pam MacKinnon •
Chorégraphe:
Avec: Al Pacino (Mickey Ross) et Christopher Denham (Carson)
Commentaire:
Presse: Les critiques sont très mauvaises:
"Please cue sound effects of chalk scratching on countless blackboards and the ping, ping, ping of an endlessly dripping faucet, and you have some idea of what Mr. Denham must be going through night after night after night." Ben Brantley for New York Times
"David Mamet said his new play, written for frequent muse, Al Pacino, would be 'better than oral sex.' Oral sex? 'China Doll' is not even better than oral surgery. At least for that sort of medical procedure you get painkillers. And it’s not a complete waste of time and money." Joe Dziemianowicz for New York Daily News
"This must be some kind of cynical Broadway-producer experiment: Will people pony up $150 to see Al Pacino in any old garbage? The answer is a resounding yes." Elisabeth Vincentelli for New York Post
"'China Doll' is less a fully realized drama than an elongated rant." Roma Torre for NY1
"'China Doll' offers the sad spectacle of two world-class artists turning in their lamest work." David Cote for Time Out New York
"The play itself is a meandering one-note character study of a doomed man." Mark Kennedy for Associated Press
"There's a dispiriting fatigue to the writing here, even in the customary rhythmic speech that long ago became a Mamet trademark." David Rooney for Hollywood Reporter
"Come back, come back, wherever you are, David Mamet. All is forgiven (even 'Race') if you will just quit jerking us around on non-plays like 'China Doll' and get a grip." Marilyn Stasio for Variety
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Théâtre
Revival
13) It's only a Play (Revival)
Joué durant 3 mois 1 semaine
Nb de preview: 48 previews
Nb de représentations: 274 représentations
Première preview: 28 August 2014
Première: 09 October 2014
Dernière: 18 January 2015
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Jack O'Brien •
Chorégraphe:
Avec: F. Murray Abraham, Matthew Broderick, Stockard Channing, Nathan Lane, Megan Mullally, Micah Stock, and Rupert Grint
Commentaire: Sera joué successivement au
> Gerald Schoenfeld Theatre 28/8/14 - 18/1/15
> Bernard B. Jacobs Theatre 23/1/15 - 7/6/15
The play was originally called "Broadway, Broadway" and had closed during tryouts in Philadelphia in 1978. Geraldine Page and James Coco were in the Philadelphia cast, and the play was set to open on Broadway at the Eugene O'Neill Theatre. However, the Philadelphia reviews were negative and the Broadway opening was cancelled.
In 1984, McNally said that after "Broadway, Broadway" closed he was no longer confident, but finally realized that having a show close is not the worst thing that could happen. For the Broadway run the play was rewritten to bring the story and references up to 2014. The role of Emma was cut and replaced by Gus, an aspiring actor employed as the party's butler. (plus)
Presse: "All the cast members fulfill their raisons d’être, which is to sling a whole lot of mud in the nicest possible way. As for Mr. McNally’s play itself...it mostly has the depth of a shot glass (and I mean that in the nicest possible way). It is to Broadway what Neil LaBute’s 'The Money Shot,'...is to Hollywood - an R-rated sitcom satire with some very funny jokes." Ben Brantley for New York Times
"Besides good old dependable Nathan Lane, this diversion has good timing going for it. People are desperate for laughs and comedies on Broadway are bloody rare. If only McNally’s 'Play' was more well-done." Joe Dziemianowicz for New York Daily News
"Mullally and Lane alone are almost worth the price of admission, with a sense of timing that’s a thing of wonder. As for the rest? It’s barely a play." Elisabeth Vincentelli for New York Post
"Jack O’Brien’s shiny, bouncy production looks great and hey it’s McNally: there are good bitchy one-liners here and there. But too few. Only a play? It’s barely a play." David Cote for Time Out New York/NY1
"It seemed to be a dream cast: Nathan Lane, Matthew Broderick, Stockard Channing, Megan Mullally, F. Murray Abraham. But, like children, stars don't always play well together. The result is that Terrence McNally's comedy 'It's Only a Play' is only amusing rather than drop-dead funny." Robert Feldberg for The Record
"Theatergoers who pay top dollar – and higher – to see the show will not be disappointed by its classy looks and energetic playing, even though 'It’s Only A Play' winds down long before it is over." Michael Sommers for New Jersey Newsroom
"It's in Lane's dynamite early scenes with gifted newcomer Micah Stock that this funny if flimsy comedy really fires on all cylinders, while Broderick underwhelms in a key role." David Rooney for The Hollywood Reporter
"Laugh if you must — and you really must laugh at McNally’s unquenchable wit — but those sloppy-kiss tributes to the theater delivered by Peter and James are deeply felt and honestly moving. And if you don’t share the gooey sentiments, you really shouldn’t be at this show." Marilyn Stasio for Variety
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Musical
Original
12) Bridges of Madison County (The) (Original)
Joué durant 2 mois 3 semaines
Nb de représentations: 137 représentations
Première preview: 17 January 2014
Première: 20 February 2014
Dernière: 18 May 2004
Compositeur: Jason Robert Brown •
Parolier: Jason Robert Brown •
Libettiste: Marsha Norman •
Metteur en scène: Bartlett Sher •
Chorégraphe: Danny Mefford •
Avec: Kelli O'Hara (Francesca Johnson), Steven Pasquale (Robert Kincaid), Hunter Foster (Bud Johnson), Derek Klena (Michael Johnson), Caitlin Kinnunen (Carolyn Johnson
Commentaire:
Presse:
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Musical
Original Broadway
11) Bonnie and Clyde (Original Broadway)
Joué durant 4 semaines
Nb de preview: 33 previews
Nb de représentations: 36 représentations
Première preview: 04 November 2011
Première: 01 December 2011
Dernière: 30 December 2011
Compositeur: Frank Wildhorn •
Parolier: Don Black •
Libettiste: Ivan Menchell •
Metteur en scène: Jeff Calhoun •
Chorégraphe: Jeff Calhoun •
Avec:
Commentaire:
Presse:
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Musical
Revival
10) A Chorus Line (Revival)
Joué durant 1 an 10 mois 2 semaines
Nb de preview: 18 previews
Nb de représentations: 759 représentations
Première preview: 18 September 2006
Première: 05 October 2006
Dernière: 17 August 2008
Compositeur: Marvin Hamlisch •
Parolier: Edward Kleban •
Libettiste: James Kirkwood • Nicholas Dante •
Metteur en scène: Bob Avian •
Chorégraphe: Baayork Lee •
Avec:
Commentaire:
Presse: BEN BRANTLEY of the NEW YORK TIMES says “Since “A Chorus Line” left Broadway only 16 years ago, to have it return more or less exactly as it was makes it feel like a vintage car that has been taken out of the garage, polished up and sent on the road once again. Now isn’t one of the points of “A Chorus Line” that musicals are not machines?” and "You can still sense the urgency that once propelled “A Chorus Line” in some of the ensemble pieces. But in providing us with an archivally and anatomically correct reproduction of a landmark show, its creators neglected to restore its central nervous system and, most important, its throbbing heart." / JOE DZIEMIANOWICZ of the NEW YORK DAILY NEWS says "The musical doesn't pack the one-two wallop of innovation and discovery it once did. How could it? But for its 2 hours and 10 minutes, it is still addictively entertaining." & "As long as "A Chorus Line" is kicking on Broadway, audiences have somewhere exciting to go." / CLIVE BARNES of THE NEW YORK POST says "A good reproduction of a great original. But if you've seen it before, you needn't run to see it again." / MICHAEL SOMMERS of STAR-LEDGER says "But plenty of younger people probably have never witnessed "A Chorus Line." They're fortunate -- and so are the rest of us -- that the production is a faithful and altogether loving re-creation of the late Michael Bennett's masterpiece. Welcome back, you beautiful thing." / LINDA WINER of NEWSDAY says "The treatment of every step-kick as holy scripture brings the faint whiff of mothballs to memory lane." / ROBERT FELDBERG of the RECORD says "The creators of the revival don't want you to forget the original; they'd like you to relive it...The result of all this, thankfully, is not a museum piece, but a vibrant re-creation. Whatever ghosts it bears, and whatever its flaws, it's a high-spirited, entertaining show that honors its predecessor." / JACQUES LE SOURD of JOURNAL NEWS says "Unfortunately, what's missing is charisma. There isn't a drop of it on the stage." / DAVID ROONEY of VARIETY says "While everybody works hard, no one quite dazzles. That seems dictated not by any lack of talent but by the fundamental limitations of the production's approach. Fitting into the established contours of existing performances rarely generates the same sparks as creating them from scratch. The actors onstage feel like topnotch replacements rather than originators. It's the sense of duplication -- albeit lovingly executed -- that keeps the revival from soaring."
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Le théâtre devient le "Gerald Schoenfeld Theatre" le 9 mai 2005.
Musical
Original
9) Brooklyn (Original)
Joué durant
Nb de preview: 27 previews
Nb de représentations: 284 représentations
Première preview: 23 September 2004
Première: 21 October 2004
Dernière: 26 June 2005
Compositeur: Barri McPherson • Mark Schoenfeld •
Parolier: Barri McPherson • Mark Schoenfeld •
Libettiste: Barri McPherson • Mark Schoenfeld •
Metteur en scène: Jeff Calhoun •
Chorégraphe: Jeff Calhoun •
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Presse:
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Musical
Original Broadway
8) Taboo (Original Broadway)
Joué durant 2 mois 3 semaines
Nb de preview: 16 previews
Nb de représentations: 100 représentations
Première preview: 28 October 2003
Première: 13 November 2003
Dernière: 08 February 2004
Compositeur: Boy George • Kevan Frost •
Parolier: Boy George •
Libettiste: Charles Busch • Mark Davies •
Metteur en scène: Christopher Renshaw •
Chorégraphe: Mark Dendy •
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Musical
Original Broadway
7) Jekyll Hyde (Original Broadway)
Joué durant
Nb de représentations: 1543 représentations
Première preview: 21 March 1997
Première: 28 April 1997
Dernière: 07 January 2001
Compositeur: Frank Wildhorn •
Parolier: Leslie Bricusse •
Libettiste: Leslie Bricusse •
Metteur en scène: ???? ???? •
Chorégraphe: ???? ???? •
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Musical
Original
6) Passion (Original)
Joué durant 8 mois
Nb de preview: 52 previews
Nb de représentations: 280 représentations
Première preview: 24 March 1994
Première: 09 May 1994
Dernière: 07 January 1995
Compositeur: Stephen Sondheim •
Parolier: Stephen Sondheim •
Libettiste: James Lapine •
Metteur en scène: James Lapine •
Chorégraphe:
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Presse:
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Musical
Original Broadway
5) Piaf (Original Broadway)
Joué durant 4 mois 3 semaines
Nb de preview: 9 previews
Nb de représentations: 165 représentations
Première preview: 28 January 1981
Première: 05 February 1981
Dernière: 28 June 1981
Compositeur:
Parolier: Pam Gems •
Libettiste: Pam Gems •
Metteur en scène: Howard Davies •
Chorégraphe:
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Musical
4) Ain't Misbehavin' ()
Joué durant 1 an 12 mois
Première preview: 29 January 1979
Première: 29 January 1979
Dernière: 24 January 1981
Fait partie de: Broadway Run
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: Murray Horweitz • Richard Jr Maltby •
Metteur en scène: Richard Jr Maltby •
Chorégraphe: Arthur Faria •
Avec:
Commentaire: Longacre Theatre 9/5/1978 - 28/1/1979
Plymouth Theatre 29/1/1979 - 24/1/1981
Belasco Theatre 26/1/1981 - 21/2/1982 (plus)
Presse:
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Parolier: *** Divers •
Libettiste: Murray Horweitz • Richard Jr Maltby •
Metteur en scène: Richard Jr Maltby •
Chorégraphe: Arthur Faria •
Avec:
Plymouth Theatre 29/1/1979 - 24/1/1981
Belasco Theatre 26/1/1981 - 21/2/1982 (plus)
Musical
Original Broadway
3) Godspell (Original Broadway)
Joué durant 3 mois 3 semaines
Première preview: 15 September 1976
Première: 15 September 1976
Dernière: 09 January 1977
Fait partie de: Broadway Run
Compositeur: Stephen Schwartz •
Parolier: Stephen Schwartz •
Libettiste:
Metteur en scène: Jean-Michel Tebelak •
Chorégraphe:
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Parolier: Stephen Schwartz •
Libettiste:
Metteur en scène: Jean-Michel Tebelak •
Chorégraphe:
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Musical
Original Broadway
2) Irma la Douce (Original Broadway)
Joué durant 1 an 4 semaines
Première preview: 28 September 1960
Première: 29 September 1960
Dernière: 28 October 1961
Fait partie de: Broadway Run
Compositeur: Marguerite Monnot •
Parolier: Alexandre Breffort •
Libettiste: Alexandre Breffort •
Metteur en scène: Peter Brook •
Chorégraphe: Onna White •
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Parolier: Alexandre Breffort •
Libettiste: Alexandre Breffort •
Metteur en scène: Peter Brook •
Chorégraphe: Onna White •
Avec:
